It’s Pimp It Friday again!

DEDLOCK #1

Written and Illustrated by A.E. Sparrow

Standard Comic
Black & White
Page Count: 24

Cover Price $2.50 (POD)

Lady Draca Infernia suddenly finds herself without an empire to rule. Face-to-face with the man who helped orchestrate her downfall, she uses every trick in her bag to avenge her loss. But this man isn’t all he seems to be, and before too long the pair find their lives to be linked…in more ways than one!

When the clandestine Ordo Draco Infernium is purchased by an outside investor, its offices liquidated and its arsenal of doomsday devices confiscated, Lady Draca Infernia suddenly finds herself on the streets with no marketable skills. Determined to restore her evil empire to its former levels of glory, she finds her way blocked by one man…with matrimony on his mind!

Deadlock #1 is available through IndyPlanet.com.

Or you can stop by booth T22 at the Phoenix Comicon Memorial Day weekend and meet Al face to face…

…if you DARE!

Al will also be pimping his comic THUGS! with artist partner Stephen Reid (aka “Flint Lockjaw“) at Cactuscon.

You can check out THUGS! online here.

Al’s a great guy and has great taste in head wear!

Lin

Dedlock #1 TM and © 2010 Al Sparrow/Studio Fugazi. All rights reserved.

The creators of “Mercury & The Murd” and “Tales of The Cornerstone” bring you the Centered Order of Law & Technology (C.O.L.T.), a paranormal/science-defense organization protecting the universe from evil and villainy of all sorts!

Read the adventures of Commander Milyo and his Agents of C.O.L.T. assault team along with the action-packed outer space excitement of Blacks Danger in Space!

If you enjoy classic cartoons like G.I. Joe, & Flash Gordon, then this is just what you need! Written by award-winning writer Shawn Pryor and featuring the artwork of the talented Andrew Charipar, this book is 72 pages of fun for all ages.

If you’d like to see more head on over to PKD Media online or stop by their booth at the Summit City Con May 22nd in Fort Wayne, IN.

Every customer that orders a copy of Agents of C.O.L.T. – Volume 1: Recipe For Destruction will receive a “FREE HEAD SKETCH” by C.O.L.T. artist Andrew Charipar!

You can pre-order your copy at the following online locations:

http://www.dcbservice.com

http://www.heroescorner.com

Don’t delay, get your copy of Agents of C.O.L.T. today!

Memphis is going to get a bit more “batty” this weekend.

Escape From The Asylum is an art show inspired by the Batman comics and features work by artists Jamond Bullock, John Bullock, Patrick  Tabor, Joseph Boyd, and Tony Brown.

Show runs from May 15-29, 2010 at Marshall Arts Gallery- 639 Marshall Ave. in Memphis, TN (just down the street from Sun Studios). Show is open to the public Mon-Fri 10am-7pm. For more info click here.

See ya at the opening reception- Saturday, May 15 from 6-10pm.

There’s some talk on the internet about which comic creators should/shouldn’t get royalties.

I personally think that comics are a collaborative creation- writers, pencilers, inkers, colorists, letterers, and editors are all a team.

If one creator gets more money, everyone should.  Royalties, bonuses, comp copies, whatever. Unless it’s a solo book, no one person is the book. Some creators’ names sell more books than others, and if they get a bigger piece of the pie that’s probably fair. But their comics wouldn’t get done without the rest of the creative team. Share the wealth.

On newsarama.com Image Comics’ Erik Larson was quoted as saying, “I don’t know of a colorist that moves the needle–so I don’t think they should get royalties–same with letterers. Sorry.”

Dave McCaig replied, “Print your books in black and white. Put your money where your mouth is if you think colorists are not essential to the team.”

I tend to agree, and other than Owly I don’t know many comics that can do without lettering, too. And every comic should have a good editor.

I’ve seen inkers save pencilers on a book.  I’ve seen colorists save inkers. I’ve picked up books because I really dug the colors or inks. I’ve also seen both butcher a book, too-and I’ve dropped a book because of bad inks/colors. Bad balloon placement and fonts can take a reader out of a story. And without a letterer and the credits how would we know who did what on a comic!

I’m not crazy that there’s a food chain in comics- and that colorists and letterers tend to be considered at the bottom of it.

Shame when they’ve had to pull a late writer or penciler’s fat out of the deadline fire.

Lin

Last weekend at Cape-Con in Cape Girardeau, MO I was set up next to the “Mike and the Ninja” team.

Mike and the Ninja creator BrianRhodes (L) and well, the Ninja- or at least one of them.

There was one on Saturday (Josh) and one on Sunday (Thomas- above).

Mike and the Ninja is a webcomic where things just never go right for Mike and when he meets a ninja named Stu his life is never the same again.

What I really liked about meeting the MATN Crew was that they had a good table set up, including printed copies of the comic (some standing up, some fanned out on the table), fliers, stickers, a price list, and the name of the comic across the front of the table. But what really made them stand out was a booth ninja! The ninja would stand very still in front of the booth and when someone would walk in front of their table the ninja would spring into action and hand the potential reader a flier or sticker while striking a martial arts pose. It was a lot of fun to watch, especially when the ninja would catch someone not paying attention to their surroundings! The creator of Mike and the Ninja and “introvert at heart” Brian Rhodes decided to try something new at his hometown show this year when his cardboard stand up of  Stu the ninja was damaged earlier in a move. He enlisted a couple friends to don a mask and black ninja attire and help him promote his comic. It worked, and worked well. One of the other things I noticed was the Mike and the Ninja web address (URL) on all of their promotional items. Why is that so important some folks may ask- well, for a webcomic it’s everything. You’d be surprised at how many creators forget to promote their website.

I’ve said it before, if you’re going to set up at a show bring a friend. Most shows will let you bring an extra person to work your table, if not it’s worth paying a bit extra to have another body there. If you’re a bit shy and have a friend who isn’t bring them, give them a tee with your logo or art on it and let them be your pitch man(or pitch woman). If you have a friend who doesn’t mind dressing up as one of the characters in your book bring them. If nothing else you’ll get a bit more attention for your booth/table and have someone there to talk to and/or watch your booth if you want to do sketches,  go see some of the show, meet with editors, or go visit the restroom- very important for a weekend show!

Good luck to Brian and “Mike and the Ninja”.

Lin/neenjah