Ok, I’ve been pimping other folks here on ComicWhore.com for a while now and this week I’m going to pimp myself- and Airbrush Action Magazine!

I’ve been reading the magazine for years now and have had a few of my paintings and tees featured in their Reader Gallery before.

But I’ve never been THE Reader Gallery- much less have it be a two page spread!

Pg14 has Wicked, Jack, Snape and Bride.

Pg15 has Mummy, London, and Sith Happens.

All paintings were airbrushed on canvas and ranged from 20″x30″ to 5′ tall.

This Dracula painting (not featured in the issue) was 4′x4′ tall, and London below was 4′x5′.

To see more of my work check out my site at www.LinWorkman.com.

Stay tuned for more info on my upcoming Sherlock Holmes art show at Theatre Memphis this October.

Lin

This week’s Pimp It Friday is all about Steam Crow Press, and the creative mad genius folks behind it- Daniel Davis and Dawna Davis.

Steam Crow is a Phoenix, Arizona company that creates quirky, imaginative characters and strange stories for people with a monster imagination.

These two artists have combined monsters, steam punk, and more into some amazing products, including story books, prints, buttons, purses and more.

I first met them at the Phoenix Comicon (Cactuscon) a few years ago and really dug their character Klawberry, and became an instant fan.

Daniel has created a new web comic- “Monster Commute” and even offers it as a collected “Traffic Novel“.

I can’t say enough good things about this Arizona couple’s work- or just how nice they are.

They’ve always got something new at their ever-growing and ever-changing booth every show I see them- Phoenix, San Diego, Emerald City, and more.

Daniel was recently interviewed on the Andrew Long Show (Ep.11) and talked about the creation of Steam Crow Press, the many irons he has in the Steam Crow fires, and what’s coming up down the road for Monster Commute and other Steam Crow projects and products.

Keep and “eye” out for Klawberry and Steam Crow at a convention near you!

Remember- monsters are real…real fun!

Lin

Memphis is going to get a bit more “batty” this weekend.

Escape From The Asylum is an art show inspired by the Batman comics and features work by artists Jamond Bullock, John Bullock, Patrick  Tabor, Joseph Boyd, and Tony Brown.

Show runs from May 15-29, 2010 at Marshall Arts Gallery- 639 Marshall Ave. in Memphis, TN (just down the street from Sun Studios). Show is open to the public Mon-Fri 10am-7pm. For more info click here.

See ya at the opening reception- Saturday, May 15 from 6-10pm.

There’s some talk on the internet about which comic creators should/shouldn’t get royalties.

I personally think that comics are a collaborative creation- writers, pencilers, inkers, colorists, letterers, and editors are all a team.

If one creator gets more money, everyone should.  Royalties, bonuses, comp copies, whatever. Unless it’s a solo book, no one person is the book. Some creators’ names sell more books than others, and if they get a bigger piece of the pie that’s probably fair. But their comics wouldn’t get done without the rest of the creative team. Share the wealth.

On newsarama.com Image Comics’ Erik Larson was quoted as saying, “I don’t know of a colorist that moves the needle–so I don’t think they should get royalties–same with letterers. Sorry.”

Dave McCaig replied, “Print your books in black and white. Put your money where your mouth is if you think colorists are not essential to the team.”

I tend to agree, and other than Owly I don’t know many comics that can do without lettering, too. And every comic should have a good editor.

I’ve seen inkers save pencilers on a book.  I’ve seen colorists save inkers. I’ve picked up books because I really dug the colors or inks. I’ve also seen both butcher a book, too-and I’ve dropped a book because of bad inks/colors. Bad balloon placement and fonts can take a reader out of a story. And without a letterer and the credits how would we know who did what on a comic!

I’m not crazy that there’s a food chain in comics- and that colorists and letterers tend to be considered at the bottom of it.

Shame when they’ve had to pull a late writer or penciler’s fat out of the deadline fire.

Lin

Last weekend at Cape-Con in Cape Girardeau, MO I was set up next to the “Mike and the Ninja” team.

Mike and the Ninja creator BrianRhodes (L) and well, the Ninja- or at least one of them.

There was one on Saturday (Josh) and one on Sunday (Thomas- above).

Mike and the Ninja is a webcomic where things just never go right for Mike and when he meets a ninja named Stu his life is never the same again.

What I really liked about meeting the MATN Crew was that they had a good table set up, including printed copies of the comic (some standing up, some fanned out on the table), fliers, stickers, a price list, and the name of the comic across the front of the table. But what really made them stand out was a booth ninja! The ninja would stand very still in front of the booth and when someone would walk in front of their table the ninja would spring into action and hand the potential reader a flier or sticker while striking a martial arts pose. It was a lot of fun to watch, especially when the ninja would catch someone not paying attention to their surroundings! The creator of Mike and the Ninja and “introvert at heart” Brian Rhodes decided to try something new at his hometown show this year when his cardboard stand up of  Stu the ninja was damaged earlier in a move. He enlisted a couple friends to don a mask and black ninja attire and help him promote his comic. It worked, and worked well. One of the other things I noticed was the Mike and the Ninja web address (URL) on all of their promotional items. Why is that so important some folks may ask- well, for a webcomic it’s everything. You’d be surprised at how many creators forget to promote their website.

I’ve said it before, if you’re going to set up at a show bring a friend. Most shows will let you bring an extra person to work your table, if not it’s worth paying a bit extra to have another body there. If you’re a bit shy and have a friend who isn’t bring them, give them a tee with your logo or art on it and let them be your pitch man(or pitch woman). If you have a friend who doesn’t mind dressing up as one of the characters in your book bring them. If nothing else you’ll get a bit more attention for your booth/table and have someone there to talk to and/or watch your booth if you want to do sketches,  go see some of the show, meet with editors, or go visit the restroom- very important for a weekend show!

Good luck to Brian and “Mike and the Ninja”.

Lin/neenjah